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Selected Papers

2025

“Decoding Gendered Sound: Exploring Cultural Bias and Sonic Identity in Ethel Smyth’s The Wreckers” – European Conference on Arts & Humanities. / International Academic Forum. SOAS and University College, London, UK. (July)

“Beyond the Spotlight: Chappell Roan and Celebrity in the Digital Age.” – Actor, Singer and Celebrity Cultures across the Centuries. University of Surrey, Guildford. Surrey, UK. (June)

2024

“(Do Not) Forget my Fate: Addressing Violence, Trauma, and Oppression in Operatic Texts and their Stagings” – with Shannon Rose McAuliffe. Feminist Theory & Music 17. University of Michigan. (June)

“‘La voilá! Voilá la Carmencita!’: Exploring Gender-Based Violence in Opera Through Carmen” – with Shannon Rose McAuliffe. National Opera Association 69th Annual Conference. Tempe, AZ. (January)

2023

“(Do Not) Forget my Fate: Addressing Violence, Trauma, and Oppression in Operatic Texts and their Stagings” – with Shannon Rose McAuliffe. Sixty-Sixth National Conference of The College Music Society. Asynchronous. (October)

“The Juxtapositions of Character and Composer in Ethel Smyth’s The Wreckers” – Fourth International Conference on Women's Work in Music. Bangor University, UK. (September)

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